Yes, it’s always good to have your music out on different formats : the xbox 360 game was like a dream come true for me as I’ve always been a big fan of computer games since the age of 7. I guess it’s understatement to say that you must feel good about this ? Not to mention the LFO music for the VW Golf 30 years in the making…
#Joris voorn future history rar tv#
I was in germany most of my time as I was playing a lot of live gigs over here in the last few years and I met a girl and moved over to Wiesbaden to live with her.ĩ) Last year, your music as G-man was used for the X-Box 360 game table tennis, and the TV ad for it. Yes frequencies was made to be played out on vinyl, you’re right !ħ) Since LFO has split what have you been up to ? Warp were very important at the start as they supported us and many others in the right direction but it was not until 1994 that they lost their direction for a while.Ħ) I have this theory : you haven’t fully heard Frequencies idiosyncratic propreties (and especially those low frequencies) until you own it on vinyl. Yes, getting signed by Tommy boy was fantastic.It was a like a dream come true also to remix Planet rock.I mean this was our all time hero record from the breakdance days.ĥ) How important was an independant record label like Warp records in the developpement of your career and those a like ? You were then signed on Tommy Boy.! A British techno band signed to a hip-hop record label who liscenced Afrika Bambaataa’s seminal Planet rock. So it’s fair to say we were influenced by a lot of things.Ĥ) Frequencies has sold over 100 000 copies and your first record went on to the top 10 in the UK Charts. Finally, in 1986 I got in early house music followed by acid house. Then, by the age of 12 I was into electro and early funk.
Above all : new technology, keyboards, computers and drum machines.ģ) Musically speaking would you say you and Mark were mostly influenced by Detroit techno or electro from the 80’s ? Or, Phuture, Adonis & Kraftwerk, as mention in the intro of Frequencies ?Īt the early age of 8 I began to listen to heavy metal music. By that I mean everything was new : groups, artists, record labels, even new parties. The scene back then was fantastic as everything was fresh and new. How was the scene, the music, the DJ’s, the record stores, and the industry back then in 1990 in the UK ? We first met back in 1984 at a breakdance contest in Leeds…at the time though we were not friends as we were in rival breakdance crewsand we lived in different parts of the city…It was not until later in 1989 at a photography course in leeds that we met up again and became friends.Ģ) I started following the scene in around 1992-93 but was too young for the bleep house scene and the acid house frenzy. He’s recorded for a lot of labels over the years such as Force-inc, Warp, K-7, and Swim records.ġ) Can you tell us how you and Mark Bell, while studying at Leeds met ? for good and went on to do his own thing as G-MAN which he still does today. Their first album, Frequencies, sold over 100 000 copies. A chat with Gez Varley, once member of the seminal techno outfit L.F.O., a ground breaking electronic group, whose single”LFO” (on Warp records), their first record, went to no.10 in the UK charts (back in 1990) and sold over 150 000 copies.
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